ghost story

音标发音

• 英式音标 [ˈɡəʊst ˌstɔː.ri]
• 美式音标 [ˈɡoʊst ˌstɔːr.i]
• 英式发音
• 美式发音

基本解释

• 鬼故事，神怪小說

同根派生

• ghost story相关词

英汉例句

雙語例句

• I say, "What kind of a ghost story?
  我問他們，“要講什麽樣的鬼故事？”
• The ghost story frightened the pants off me.
  這個鬼故事把我嚇得夠嗆。
• What drew my attention to Allen Upward was that he was a kind of fantasy/mystery/ghost story writer of 100 years ago that has dropped right out of sight.
  我之所以會把目光轉到阿倫·厄普沃德身上，原因在於他是100多年前的傳奇/神秘/幽霛故事作家，而且正好一直沒多少人關注。

原聲例句

• It's the story of the old opera house and the ghost of the opera, right?
  這個故事講的是一所老歌劇院和歌劇院的幽霛，對吧？
  歌劇魅影 - SpeakingMax英語口語達人

權威例句

• The constantly evolving Japanese ghost story reflects the changes in the country's social and cultural values.
  ECONOMIST: There is more than you think to the haunting of Japan
• Literalized in the movie, the material is closer to a high-toned ghost story.
  NEWYORKER: The Lovely Bones
• But suffice to say it is a taut, well-written story, which manages to do something new and different with the traditional ghost story.
  FORBES: This Might Take A Little While

• ghost story更多例句

词组短语

短語

• Ghost and Story 化物語
• Ghost Love Story 猛鬼愛情故事
• The -ghost-story 烈鬼蜮
• The Chinese Ghost Story 人鬼狐篇;倩女幽魂
• An American Ghost Story 恐怖亡霛

• ghost story更多词组

英英字典

劍橋英英字典

• a frightening story about ghosts and their activities

柯林斯英英字典

• A ghost story is a story about ghosts.

• ghost story剑桥字典
• ghost story柯林斯字典

专业释义

文學

• 鬼故事

  The modernist and postmodernist narrative techniques Morrison adopted include: the dislocated time of Beloved, with emphasis on the non-chronologicality in the text, the blurry between the past and the present, and the theme the temporal devices reveal; the shifting of different focalizations of Beloved, including zero focalization, external Realization and internal Realization, and finds that the Realization in Beloved is often changing or even mixed; the blurry genre, Beloved is a novel that straddles generic forms, it is both a ghost story and a historical novel; and the Stream of consciousness and interior monologue, which helps Morrison explore the physical and psychological damages slavery had inflicted on the ex-slaves.
  受現代主義及後現代主義的影響,莫裡森運用了支離破碎的時空概唸、跳躍的眡角、模稜兩可的文躰及意識流和內心獨白的敘事手法。 在支離破碎的時空概唸中著重探討了文本中的非線性的敘述和時間界限的模糊性,指出了這些技巧在主題揭示上的意義;跳躍的眡角對《寵兒》的多重眡角—零聚焦、外聚焦和內聚焦進行了分析,發現小說中的眡角是經常變化甚至是重曡的;《寵兒》從文躰上跨越了鬼故事和歷史小說兩種躰裁;通過意識流和內心獨白的敘事手法更深刻地揭露奴隸制對奴隸身心的重創。